Opinion | San Francisco Will Spend $600,000 to Erase History - The New York Times

"Arnautoff, who had assisted Diego Rivera in Mexico, was a committed Communist. “‘Art for art’s sake’ or art as perfume have never appealed to me,” he said in 1935. “The artist is a critic of society.”

This is why his freshly banned work, “Life of Washington,” does not show the clichéd image of our first president kneeling in prayer at Valley Forge. Instead, the 13-panel, 1,600-square-foot mural, which was painted in 1936 in the just-built George Washington High School, depicts his slaves picking cotton in the fields of Mount Vernon and a group of colonizers walking past the corpse of a Native American....

Such appeals to reason and history failed to sway the school board. On Tuesday, it dismissed the option to pull an Ashcroft and simply cover the murals, instead voting unanimously to paint them over.

One of the commissioners, Faauuga Moliga, said before the vote on Tuesday that his chief concern was that “kids are mentally and emotionally feeling safe at their schools.” Thus he wanted “the murals to be painted down.” Mark Sanchez, the school board’s vice president, later told me that simply concealing the murals wasn’t an option because it would “allow for the possibility of them being uncovered in the future.” Destroying them was worth it regardless of the cost, he argued at the hearing, saying, “This is reparations.” ...

And yet many of the school’s actual students seemed to disagree. Of 49 freshmen asked to write about the murals,according to The Times, only four supported their removal. John M. Strain, an English teacher, told The Times’s Carol Pogash that his students “feel bad about offending people but they almost universally don’t think the answer is to erase it.”

Which makes one wonder who these bureaucrats actually seek to protect. Is it the students? Or could it also be their reputations, given that those in favor of preserving the murals are being smeared as racists? ...

What happens when a student suggests that looking at photographs of the My Lai massacre in history class is too traumatic? Should newspapers avoid printing upsetting images that illuminate the crisis at the border, like the unforgettable one of Óscar Alberto Martínez Ramírez and his 23-month-old daughter, Valeria, facedown, drowned in the Rio Grande?

All are fair game for censorship in a worldview that insists that words and images are to be judged based on how “safe” they make people feel...."