Fair Play and American Exceptionalism

Music Business Journal | Berklee College of Music 2015-12-23

Summary:

On December 24th, 1906, Reginald Fessenden, his wife, and a few helping hands began performing live music and readings of bible passages over the airwaves, representing the first time that radio was used as a music based entertainment medium rather than exclusively a public service announcement platform. Similar stations followed suit, leading to the model [...]

Link:

http://www.thembj.org/2015/10/fair-play-and-american-exceptionalism/

From feeds:

Music and Digital Media ยป Music Business Journal | Berklee College of Music

Tags:

vocalists terrestrial radio special radio treatment soundexchange sidemen radio and record labels pro's performance right organizations performance right of sound recordings october 2015 neighboring rights neighboring copyrights musician revenues music law music copyright music collections featured artists fair play fair pay act fair play european copyright law dpra dmca digital performance right in sound recordings act digital music services broadcasters and music american exceptionalism

Authors:

Lydia George

Date tagged:

12/23/2015, 10:09

Date published:

10/25/2015, 11:12