Jane Campion on ‘The Power of the Dog’s Toxic Masculinity and Why She Won’t Make a Marvel Movie
THR, Esq. 2021-09-10
Summary:
Jane Campion’s first film in over a decade, The Power of the Dog, which has played to glowing reviews at the Venice and Telluride film festivals ahead of its screening at TIFF, is a kind of bookend to her 1993 Palme d’Or-winning period drama, The Piano, in its portrait of caged sensuality and repression. But […]