Students for Free Culture » Blog Archive » The Future of Creative Commons: Examining defenses of the NC and ND clauses

Connotea Imports 2012-09-22

Summary:

“A few weeks ago, Students for Free Culture published a detailed and thoroughly cited post calling for the retirement of proprietary license options in Creative Commons 4.0. Already the story has been picked up by Techdirt and Slashdot and it has spurred lots of heated debate around the value of the NonCommercial (NC) and NoDerivatives (ND) licenses to Creative Commons and to rightsholders, but not a lot of discussion has been framed around the official mission and vision of Creative Commons.  Creative Commons has responded to the post stating that adopters of NC and ND licenses ‘may eventually migrate to more open licenses once exposed to the benefits that accompany sharing,’ maintaining that these licenses have been a strategic measure to approach that goal. The name Creative Commons itself highlights the aim of enabling a network of ideas and expressions that are commonly shared and owned or, as we usually call it, the commons. To be very explicit, one need not look any further than Creative Commons’ mission statement (added emphasis) to see that this is what they work for: ‘Creative Commons develops, supports, and stewards legal and technical infrastructure that maximizes digital creativity, sharing, and innovation... Our vision is nothing less than realizing the full potential of the Internet — universal access to research and education, full participation in culture — to drive a new era of development, growth, and productivity.’  The NC and ND clauses are non-free/proprietary because they retain a commercial and/or creative monopoly on the work. Legally protected monopolies by any other name are still incompatible with the commons and undermine commonality. There is no question as to the purpose of Creative Commons or the definition of free cultural works. What Students for Free Culture has offered is not primarily a critique of proprietary licenses, but a critique of Creative Commons’ tactics in providing them. The idea that the non-free licenses ‘may eventually migrate to more open licenses once exposed to the benefits that accompany sharing’ is a reasonable one, but one that deserves careful reflection after a decade of taking that approach.  This line of reasoning is intuitive in a permission culture: that license options which sound good to rightsholders will lure them into giving up some restrictions licenses and becoming more comfortable with the idea of fully liberating their works. Encouraging the use of free culture licenses then becomes a problem of education and communication of values, and the question then becomes whether or not the proprietary licenses make that task easier or more difficult.  Some argue that rightsholders are not ready for free culture and that they need to be eased into it. Anecdotal arguments supporting this idea say that people switch to free licenses from the non-free ones once they learn about how problematic NC and N[D] are, but there is no evidence to support this claim. We have no idea how strong Creative Commons’ campaign for free licenses would be if they only provided free culture licenses from the start, and Students for Free Culture suggest that in the current climate of copyright and intellectual property maximalism, what we need is to stretch what is accepted as reasonable position to take, not sit comfortably within it.  It may be counter-intuitive that only offering free culture licenses would bring more rightsholders to liberate their works over time, but if we consider that this would allow Creative Commons to have a cohesive message behind the licenses they do offer, we can imagine their educational materials could be much more powerful. More importantly, they would be expanding the perceived realm of possibility. Students for Free Culture argue that the proprietary licenses are mainly used because they are misunderstood and function to reinforce those misconceptions rather than move rightsholders towards free culture. It is analogous to telling people to vote for the lesser of two evils to ease them out of supporting a two-party political system. It may seem practical and appear to bring more steady and reliable change, but it only serves to reinforce the status quo.  The popular criticisms of the post are actually very revealing of this very idea...” [See the blog post for the analysis of these “popular criticisms.”]

Link:

http://freeculture.org/blog/2012/09/19/the-future-of-creative-commons-examining-defenses-of-the-nc-and-nd-clauses/

From feeds:

Open Access Tracking Project (OATP) » abernard102@gmail.com

Tags:

oa.new oa.licensing oa.comment oa.advocacy oa.copyright oa.students oa.benefits oa.debates oa.students_for_free_culture oa.libre oa.creative_commons

Date tagged:

09/22/2012, 11:01

Date published:

09/22/2012, 07:01