The Fighting Temeraire

Computational Complexity 2025-01-22

What does an 1838 painting tell us about technological change?
A colleague and I decided to see how well LLMs could teach us a topic we knew nothing about. We picked the Romanticism art movement. I asked ChatGPT to tutor me on the topic for an hour. Chatty picked four paintings. 
Top Left: Liberty Leading the People (Delacroix, 1830) Top Right: Wanderer above the Sea of Fog (Friedrich, 1818) Bottom Left: The Fighting Temeraire (Turner, 1838) Bottom Right: The Third of May 1808 (Goya, 1814)
For each of these paintings, I put the painting up a one screen and used the voice feature to have ChatGPT give me an overview of each, and then we would have a discussion about it where I would ask about various features. Ended up spending about an hour on each. Was it successful? I now know significantly more about the Romantic art period and these paintings, though of course not an expert. It was certainly a better and more enjoyable experience than freshman seminar course on art history I took in college.
Let discuss one of these paintings in more detail, the 1938 painting The Fighting Temeraire, tugged to her last berth to be broken up by Joseph Mallord William Turner, on display at the National Gallery in London. 
The Fighting Temeraire by J.M.W. Turner (click on picture for more detail) The 98-gun ship Temeraire featured on the left fought in the Battle of Trafalgar. This painting captures the ship being towed by a steam tug through the Thames to be broken up for scrap. 
Much to love in the painting: the reddish sunset, the reflections of the boats in the water, the detail of the Temeraire and the lack of detail of the tug.
But also note the nod to technological change, the tall sailboat being taken to its end by a coal-powered tugboat, marking the new era of shipping vessels, the industrial revolution in full swing, and the beauty we lose to progress. Now a bad metaphor for the AI revolution of today.
If you want to learn more about the painting, you can watch this lecture from the National Gallery, or you could ask your favorite LLM.