The Lyadov Lesson

I've seen many brilliant students, those who flew though high school and undergrad with great grades and little effort. As PhD students, they often feel they still don't need to try, that success will continue to come to them easily. They would be wrong. Some figure it out, others don't live up to their potential.

Igor StravinksyI went to a Chicago Symphony concert last week where the first two pieces were "The Enchanted Lake", a short piece by Anatoly Lyadov, followed by Igor Stravinsky's "The Firebird". You likely never heard of Lyadov. There's a reason for that. 

From the program book 

Anatoly Lyadov is often mentioned in music histories, not primarily for his own beautifully crafted orchestral pieces like "The Enchanted Lake," but as the man who missed the opportunity to compose "The Firebird." This ballet, which Igor Stravinsky eventually wrote, became a cornerstone of his career and is frequently featured in programs, often following Lyadov's own works.

The common but unverified narrative is that Lyadov had been so slow to start the project that he had only just bought his manuscript paper when the first part of the score was due. This led Sergei Diaghilev, who was in charge of staging the ballet, to dismiss him. Lyadov had developed a reputation for laziness early in his career. He was known to skip classes at the Saint Petersburg Conservatory, earning the ire of his teacher, Rimsky-Korsakov, who called him "irresponsible." Even Sergei Prokofiev, who studied with Lyadov and held him in high regard, noted in his memoirs that Lyadov's "most remarkable feature" was his laziness.

Anatoly Lyadov

Yet despite these shortcomings, Lyadov had always attracted attention for the audacity and brilliance of his orchestral work. As far back as 1873, when he published his first songs as his opus 1, Mussorgsky described his talent as "new, unmistakable, original." Stravinsky, who benefited from Lyadov's withdrawal from "The Firebird" project, later remarked that although he enjoyed Lyadov's music, he couldn't imagine Lyadov composing a ballet as long and raucous as "The Firebird."